If writing a book is the natural state for a writer, getting up in front of an audience and reading from that book feels about as far from natural as I can imagine. There are plenty of writers who are natural orators, but unfortunately I don’t fall into that category. I’m to the left in the ‘so anxious I might cry and/or pass out’ category. Hello to all of the other nervous talkers in this category with me. Welcome. May I offer you some peppermint tea? Continue reading
2018 has been a big year for *feelings*. I don’t feel alone in that. Just about everyone I know has had an intense year in one way or another. For me there’s been personal loss, creative doubt, incredible milestones, and a whole lot of waiting. I’ve also been panning through my own insecurities and trauma for gold nuggets of emotional truth in my work. And you know what, that gets exhausting. I’m feeling a little wobbly. So if you’re going through any of the above at the moment, or have been this year, I see you. It’s tiring. Be kind to yourself. Continue reading
Did you know when you’re done writing your first book, or even before you’re completely done, you’ve got to turn around and start again right from the very beginning if you want to publish a second? Pretty rude if you ask me. I was under the impression all subsequent books would materialize fully formed once I’d proven my ability to land that first publishing contract. Continue reading
Three months on from receiving editorial notes and I’m out the other side of my first structural edit. I feel equally wrung out and exhilarated by how much better my manuscript is looking at this point. Here are some editing stats I collected along the way:
The manuscript is now off to some sensitivity readers (I will do a post on this at a later stage) and once I’ve received their feedback and edited accordingly, I will send it back to Jane at Text Publishing. Hopefully I’ll have done enough for it to be ready for a line edit, but we’ll see. This is my first time and it’s a huge learning curve, so if it comes back for another structural edit, that’s OK too. I hardly feel qualified to give advice at this stage of the process, but I thought it might be worth sharing a few of the things I’ve learnt so far. Continue reading
I received the first round of notes from my editor at Text Publishing late last month. It’s the email I’ve been waiting on for months. It’s the green light after being at a red long enough to wonder if it was all a dream, or if someone somewhere had changed their mind. The notes are detailed, kind, and so spot on. My book is going to be infinitely better because of them, and because of my editor Jane Pearson. I feel like I should be in turmoil, but instead I’m thrilled. A little vulnerable, sure, but I can’t believe I can finally get going. Please Don’t Hug Me is going to be a real book! Continue reading
There is a lot out there about whether or not a debut writer needs a literary agent, or if signing with one is even something that can happen without a published book to your name. I can’t give a definitive answer about that, but I can say that signing with Danielle Binks and Jacinta Di Mase has been one of the best parts of my path to publication thus far. So I’d love to share a little bit about how that came to be and what it’s done for me. Continue reading
(I sourced all of the images from Pinterest)
