2019 is teaching me a lesson about vulnerability. It is showing me again and again how much harder it is to stay open and vulnerable than it is to close off, shut down, not talk about it, but also how much more I can offer and be by fighting the urge to take the easier route. Continue reading
If writing a book is the natural state for a writer, getting up in front of an audience and reading from that book feels about as far from natural as I can imagine. There are plenty of writers who are natural orators, but unfortunately I don’t fall into that category. I’m to the left in the ‘so anxious I might cry and/or pass out’ category. Hello to all of the other nervous talkers in this category with me. Welcome. May I offer you some peppermint tea? Continue reading
Did you know when you’re done writing your first book, or even before you’re completely done, you’ve got to turn around and start again right from the very beginning if you want to publish a second? Pretty rude if you ask me. I was under the impression all subsequent books would materialize fully formed once I’d proven my ability to land that first publishing contract. Continue reading
Three months on from receiving editorial notes and I’m out the other side of my first structural edit. I feel equally wrung out and exhilarated by how much better my manuscript is looking at this point. Here are some editing stats I collected along the way:
- 60+ hours of editing
- Manuscript is (only) 5,000 words longer. Ouch. Now sitting at a much healthier 55,000 words. I’ve fixed plot holes, pacing issues, formatting, thin secondary characters, and the ending
- Soundtrack: Camp Cope, Sia, Thelma Plum, Missy Higgins (basically Australian/women/feelings)
- Snack of choice while editing: Popcorn, chocolate
- Coffee consumed: far too much
- Most neglected part of my life: housework
The manuscript is now off to some sensitivity readers (I will do a post on this at a later stage) and once I’ve received their feedback and edited accordingly, I will send it back to Jane at Text Publishing. Hopefully I’ll have done enough for it to be ready for a line edit, but we’ll see. This is my first time and it’s a huge learning curve, so if it comes back for another structural edit, that’s OK too. I hardly feel qualified to give advice at this stage of the process, but I thought it might be worth sharing a few of the things I’ve learnt so far. Continue reading
When I sat down to write a book, it was YA that came out. It was always going to be. I’d never really considered anything else until someone asked me recently if I would ever write for adults. I’m not sure the answer to that, but I am sure about why I write YA. It’s because of the books that are most important to me, my own life experiences and the feeling that maybe young people are our best bet.
Well that wasn’t so hard to type.
For some reason though, I am completely averse to ever telling anyone that I actually sat down and wrote 50,000 and something words about people and events I made up in my head. It seems like a ludicrous thing to have gone and done; who do I even think I am?
I’m trying to get better at talking about it, IT being my YA manuscript Please Don’t Hug Me, because I’ve just signed with a literary agent (!!!)
So what better way to talk about it than to avoid talking at all and start a blog instead? Hello!