2019 is teaching me a lesson about vulnerability. It is showing me again and again how much harder it is to stay open and vulnerable than it is to close off, shut down, not talk about it, but also how much more I can offer and be by fighting the urge to take the easier route. Continue reading
If writing a book is the natural state for a writer, getting up in front of an audience and reading from that book feels about as far from natural as I can imagine. There are plenty of writers who are natural orators, but unfortunately I don’t fall into that category. I’m to the left in the ‘so anxious I might cry and/or pass out’ category. Hello to all of the other nervous talkers in this category with me. Welcome. May I offer you some peppermint tea? Continue reading
I received the first round of notes from my editor at Text Publishing late last month. It’s the email I’ve been waiting on for months. It’s the green light after being at a red long enough to wonder if it was all a dream, or if someone somewhere had changed their mind. The notes are detailed, kind, and so spot on. My book is going to be infinitely better because of them, and because of my editor Jane Pearson. I feel like I should be in turmoil, but instead I’m thrilled. A little vulnerable, sure, but I can’t believe I can finally get going. Please Don’t Hug Me is going to be a real book! Continue reading
There is a lot out there about whether or not a debut writer needs a literary agent, or if signing with one is even something that can happen without a published book to your name. I can’t give a definitive answer about that, but I can say that signing with Danielle Binks and Jacinta Di Mase has been one of the best parts of my path to publication thus far. So I’d love to share a little bit about how that came to be and what it’s done for me. Continue reading
(I sourced all of the images from Pinterest)
Is that you don’t talk about being out on pitch! And when you’ve spent so long writing and editing and rewriting and (maybe) getting an agent and then rewriting again it’s quite jarring to all of a sudden have to sit back and just… wait.
In traditional publishing, being ‘out on pitch’ is when your agent has sent your manuscript to the publisher/s they believe it is best suited for and is awaiting a reply. I asked my agent Danielle Binks at Jacinta Di Mase for her thoughts on the process: Continue reading