If writing a book is the natural state for a writer, getting up in front of an audience and reading from that book feels about as far from natural as I can imagine. There are plenty of writers who are natural orators, but unfortunately I don’t fall into that category. I’m to the left in the ‘so anxious I might cry and/or pass out’ category. Hello to all of the other nervous talkers in this category with me. Welcome. May I offer you some peppermint tea? Continue reading
2018 has been a big year for *feelings*. I don’t feel alone in that. Just about everyone I know has had an intense year in one way or another. For me there’s been personal loss, creative doubt, incredible milestones, and a whole lot of waiting. I’ve also been panning through my own insecurities and trauma for gold nuggets of emotional truth in my work. And you know what, that gets exhausting. I’m feeling a little wobbly. So if you’re going through any of the above at the moment, or have been this year, I see you. It’s tiring. Be kind to yourself. Continue reading
Three months on from receiving editorial notes and I’m out the other side of my first structural edit. I feel equally wrung out and exhilarated by how much better my manuscript is looking at this point. Here are some editing stats I collected along the way:
- 60+ hours of editing
- Manuscript is (only) 5,000 words longer. Ouch. Now sitting at a much healthier 55,000 words. I’ve fixed plot holes, pacing issues, formatting, thin secondary characters, and the ending
- Soundtrack: Camp Cope, Sia, Thelma Plum, Missy Higgins (basically Australian/women/feelings)
- Snack of choice while editing: Popcorn, chocolate
- Coffee consumed: far too much
- Most neglected part of my life: housework
The manuscript is now off to some sensitivity readers (I will do a post on this at a later stage) and once I’ve received their feedback and edited accordingly, I will send it back to Jane at Text Publishing. Hopefully I’ll have done enough for it to be ready for a line edit, but we’ll see. This is my first time and it’s a huge learning curve, so if it comes back for another structural edit, that’s OK too. I hardly feel qualified to give advice at this stage of the process, but I thought it might be worth sharing a few of the things I’ve learnt so far. Continue reading
(I sourced all of the images from Pinterest)
If you’re a writer and/or on Twitter, chances are you have come across the term ‘Own Voices’ at some stage or another. If not, the basic gist is that the hashtag was started as a way to “highlight kidlit about diverse characters written by authors from that same diverse group”, as explained by Corinne Duyvis, the writer behind the term. Further, the non-profit organization ‘We Need Diverse Books’ defines the term ‘diverse’ as “including (but not limited to) LGBTQIA, Native (it’s an American org so I’d add Aboriginal people here), people of colour, gender diversity, people with disabilities, and ethnic, cultural, and religious minorities”. So that’s what it’s about in a broader sense. Continue reading
Well that wasn’t so hard to type.
For some reason though, I am completely averse to ever telling anyone that I actually sat down and wrote 50,000 and something words about people and events I made up in my head. It seems like a ludicrous thing to have gone and done; who do I even think I am?
I’m trying to get better at talking about it, IT being my YA manuscript Please Don’t Hug Me, because I’ve just signed with a literary agent (!!!)
So what better way to talk about it than to avoid talking at all and start a blog instead? Hello!