I received the first round of notes from my editor at Text Publishing late last month. It’s the email I’ve been waiting on for months. It’s the green light after being at a red long enough to wonder if it was all a dream, or if someone somewhere had changed their mind. The notes are detailed, kind, and so spot on. My book is going to be infinitely better because of them, and because of my editor Jane Pearson. I feel like I should be in turmoil, but instead I’m thrilled. A little vulnerable, sure, but I can’t believe I can finally get going. Please Don’t Hug Me is going to be a real book! Continue reading
There is a lot out there about whether or not a debut writer needs a literary agent, or if signing with one is even something that can happen without a published book to your name. I can’t give a definitive answer about that, but I can say that signing with Danielle Binks and Jacinta Di Mase has been one of the best parts of my path to publication thus far. So I’d love to share a little bit about how that came to be and what it’s done for me. Continue reading
Some days here in this house is my whole world, and others I am itchy to be part of something outside these four encroaching walls. There’s a constant tug between this small person who is blossoming with every minute of nurturing and play, and a tiny voice inside my head reminding me ‘I’m a person with needs too’. I want to be and do everything with her, but I want to model what a woman following her goals looks like too. Continue reading
If you’re a writer and/or on Twitter, chances are you have come across the term ‘Own Voices’ at some stage or another. If not, the basic gist is that the hashtag was started as a way to “highlight kidlit about diverse characters written by authors from that same diverse group”, as explained by Corinne Duyvis, the writer behind the term. Further, the non-profit organization ‘We Need Diverse Books’ defines the term ‘diverse’ as “including (but not limited to) LGBTQIA, Native (it’s an American org so I’d add Aboriginal people here), people of colour, gender diversity, people with disabilities, and ethnic, cultural, and religious minorities”. So that’s what it’s about in a broader sense. Continue reading
Is that you don’t talk about being out on pitch! And when you’ve spent so long writing and editing and rewriting and (maybe) getting an agent and then rewriting again it’s quite jarring to all of a sudden have to sit back and just… wait.
In traditional publishing, being ‘out on pitch’ is when your agent has sent your manuscript to the publisher/s they believe it is best suited for and is awaiting a reply. I asked my agent Danielle Binks at Jacinta Di Mase for her thoughts on the process: Continue reading
When I sat down to write a book, it was YA that came out. It was always going to be. I’d never really considered anything else until someone asked me recently if I would ever write for adults. I’m not sure the answer to that, but I am sure about why I write YA. It’s because of the books that are most important to me, my own life experiences and the feeling that maybe young people are our best bet.
Well that wasn’t so hard to type.
For some reason though, I am completely averse to ever telling anyone that I actually sat down and wrote 50,000 and something words about people and events I made up in my head. It seems like a ludicrous thing to have gone and done; who do I even think I am?
I’m trying to get better at talking about it, IT being my YA manuscript Please Don’t Hug Me, because I’ve just signed with a literary agent (!!!)
So what better way to talk about it than to avoid talking at all and start a blog instead? Hello!